Tuesday, September 15, 2009

Great. Dixter.



On a very lovely Saturday last weekend - sunny but not sweltering, I found myself in the gardens of Great Dixter, in East Sussex.

I didn’t know anything about this place or the famous gardener and writer who lived there - Christopher Lloyd. In fact, I don’t know much about gardening at all. I don’t even have a houseplant. I only know how to buy cut flowers along with my groceries.

But, if you are going to design a garden, this is the way to go about it. Masses of different coloured flowers, not too clipped about. Lots of big statement blooms. Lily-strewn pond. Big Dragonflies. A Mulberry tree. Not much grass. Crafted sets of steps leading off. Meandering, seemingly unplanned and blissfully peaceful.

The original garden design (and parts of the house, which remain private) was by Edwin Lutyens. The gardens wrap around a medieval house and outbuildings, which are really well preserved. Inside, the rooms have been left in a moment in time.

The long barn, with its red tiled expanse of roof dipping low, probably looks just as it did when Lutyens set about sketching. It contains drying bunches of flowers and thistles. These were used throughout the house in vases. Like blowsy, crackly, fragile sculptures.

The wooden shelves I photographed were in this dusty low barn. On them, a lovely line of cotton-wool-like seed heads lay drying in a picturesque fashion. I like to think the shelves were built just for that very purpose.

Not only but also:
Great Dixter nursery tells me these seed heads are from a plant with the impressive name of Cynara cardunculus, or cardoon, or ornamental thistle. Related to Globe artichokes. Parts of it can be eaten and it's being investigated for its biodiesel potential. Well I never.

Wednesday, September 09, 2009

Hook and eye



The Missoni exhibition at the Estorick Collection. It’s always nice to see exhibitions in this venue. Nice small size so no museum fatigue. Nice café. Nice staff. Lovely Georgian building. And a good excuse to potter through Islington, people-watching and dodging the buggies.

If you work in museums you always need to take a mental step back when visiting exhibitions for pleasure. Otherwise you only see things you would change: objects that need dusting, typos on labels or - shudder at the thought – no labels at all.

That said, the Missoni exhibition had fewer clothes and textiles than I expected. I really wanted to see more archival pieces. But what was there was pretty amazing. Colours and shapes. Yarn, knits and weaves. Unlike anything else out there.

And the additional objects from the Missoni family private collections were great – a zinging citrus coloured Futurist suit and a beautiful 1950s painting by Tancredi.

Best of all, there was a really engrossing long film on show. It fully immersed you in family Missoni. Their love of colour and craft was palpable. And worth watching to see the grand dame of the label, Rosita Missoni, wearing the mad mixed patterns as they should be worn – all at once, one on top of the other.

All in all, I came out knowing more about the label and having a greater respect for the craft behind it. Can’t ask for much more than that. Except maybe a piece to own…

Wednesday, September 02, 2009

Junk Mail



I first trotted down to Few and Far in a lunch hour, always happy to investigate a new shop. It’s an odd mixture, a sort of lifestyle boutique where you can’t quite identify the lifestyle. Some really nice things. The stronger designs packed away downstairs. A bit of a jumble to the eye upstairs. But interesting.

Still, their bits of advertising and signage dotted around the shop were rather nice and so I signed up for their mailings. Happy to have done so, too, as I just got a nice little leaflet - with illustrations by Christopher Brown – through my door.

Christopher Brown, an erstwhile pupil of Edward Bawden is beloved of St Jude’s Gallery in Norfolk. St Jude’s have their finger laid gently on the pulse of a burgeoning nostalgia for comfortable interwar and mid-century art and design.

Browns small linocut prints embody the word charming. The Few and Far Autumn leaflet has a twig-carrying hedgehog on the front, making me smile and think happily of cooler days ahead.